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| Surprise! I'm secretly Annette Bening. |
So I figure the mark of a good film is that it stays with you. You should leave the cinema thinking about it – and it should at least occupy some space in your mind in the following days.
So when I sat down to think about the Darren Aronofsky psychological ballet thriller (love that description) it occurred to me that this was, in fact, the first time that I’d really thought about it all day – and I saw it yesterday.
After discussing it in detail on a new podcast I gave it a score of 16/25 – which would equate to roughly 12.8 out of 20 – but getting further away from it I think I might like it even less than that.
Here’s why, after the jump;
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